Express Rather Than Impress: Songwriting with Miya Folick (August '22)
SKU: 94359124508

Express Rather Than Impress: Songwriting with Miya Folick (August '22)

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Description

Express Rather Than Impress: Songwriting with Miya Folick (August '22)All access to lecture recordings, songwriting prompts and all course materials for Miya Folick's songwriting workshop taught in August 2022. By purchasing this past course, you're able to watch Miya's lectures and go about the course at your own pace! Miya's lectures cover the following topics and themes: Addressing the distinct difficulties that come with starting and finishing a song and how becoming a finisher of songs is a crucial skill that can

All access to lecture recordings, songwriting prompts and all course materials for Miya Folick's songwriting workshop taught in August 2022. By purchasing this past course, you're able to watch Miya's lectures and go about the course at your own pace!

    Miya's lectures cover the following topics and themes:

    1. Addressing the distinct difficulties that come with starting and finishing a song and how becoming a finisher of songs is a crucial skill that can be learned!
    2. The value in “trying on every dress in the store” – arriving at a sound through a broad approach of experimentation + play, and the important role that “bad ideas” play in this process
    3. Dismissing the idea that the song you’re writing needs to reflect who you are. You can be anyone in your songs and shifting perspective in timeframe, location, intention, people within a single song can add depth and dimensionality to your songwriting.
    4. Learning how to express fearlessly by developing a heightened awareness to how your body and emotional self responds to experiences and how this can lead us to the ability to write openly even with other people in the room.

    This course also includes songwriting prompts from Miya such as "Express rather than impress", "Detail and Specificity", "Developing a melody", and "Creating movement in lyrics".

      ———————————-

    Here's a quote from Miya on the class...

    "Songs carry us in so many ways. As songwriters, they teach us how to sit inside our bodies and listen to our instincts. They show us how we feel. Sometimes, they help other people to understand how they feel! They allow us to reach across a room of strangers and find intimacy and understanding. (They also allow us to enter a room and immediately feel alienated! But I'm going to focus on the intimacy part) In the best moments, it truly feels like communing with magic.

    For me, the act of songwriting is an exploration. I am in search of something. But, it's not always easy. I've found that my main obstacles to songwriting are fear, distraction, and a crippling sense of meaninglessness!! In my class, I'm going to share some of the ways that I deal with these perplexing conditions when they arise. How do we start songs? How do we finish them?!?

    I believe that songs are vital to our experience as humans. My hope is for us to help each other feel seen and to feel safe to express ourselves.” - Miya Folick

    ———————————

    -- Testimonials from August 2022 students --

    " Miya, you are so thoughtful, relatable and your lectures have been really inspiring. Thank you so much for sharing your time and wisdom with us. I’m very grateful for this experience. My songwriting and confidence has been uplifted by these assignments and your influence!"

    "thanks for your vulnerability, and for sharing so much with us. it was such a joy to hear from you and your experience, and you helped me feel excited about songwriting. helped it feel more accessible, and less like this grand, lofty thing."

    ———————————

    This archived course includes:

    1. Class Video Recordings – Watch all 5 of Miya Folick's lectures + Q&A's on her songwriting process.
    2. All course materials, including songwriting prompts crafted by Miya.
    3. Access to the "community jukebox" – upload your new songs to the jukebox and share the tunes with fellow classmates!

     ———————————

    Q: What musical experience is required to understand the material in this course?

    A: People across all musical levels will be able to gain something from the course. However, it will be helpful to be comfortable playing a few basic chords on any instrument of your choice in order to complete the songwriting prompts.

    Q: What if I’ve never written a song before? Can I still participate in this workshop?

    A: Yes! As with any new skill, just starting is usually the hardest part. This workshop will provide the structure and accountability we all need to get started and follow through, for beginners and old guard writers alike.

    Q: What is different about watching this past course versus participating while the workshop is run live?

    A: By purchasing this course, you'll have access to the same resources as the students who took the course while it was running other than the live songshares. 

     ——————

    Questions? Email us at [email protected].

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    SKU: 94359124508

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    4.1 ★★★★★
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    Lavender
    Carnegie, US
    ★★★★★ 5
    Extraordinary Chronicle of an Avenging Warrior
    I purchased this book, although I had read this several years ago. My interest to revisit the novel was aroused when I read The Good Lord Bird and viewed the series. There are strong parallels in the struggles and the motivations explored in these works. Styron is a talented writer who makes this history come alive and gather relevance. The brutal consequences of an impossible circumstance lives on through this century as the legacy of slavery is explored in splendid literary works such as this powerful novel. I highly recommend it.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 7, 2021
    K
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    Kenny of LA
    Carnegie, US
    ★★★★★ 4
    Make Sure You Read the Vintage Edition with the Afterword
    I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner. I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl). As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint. It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD. Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 26, 2008
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    Cstro
    Los Angeles, US
    ★★★★★ 5
    I loved this book.
    I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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    Reviewed in the United States on February 8, 2007
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    Devin T.
    Port Orchard, US
    ★★★★★ 5
    great read
    I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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    Reviewed in the United States on September 14, 2023
    J
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    John Tailor 2048
    Natrona Heights, US
    ★★★★★ 3
    Nat Turner was NOT happy
    I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 20, 2016

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