Various - Soul Jazz Records, Rastafari - The Dreads Enter Babylon 1955 - 83

Various - Soul Jazz Records, Rastafari - The Dreads Enter Babylon 1955 - 83Reissued almost ten years on from its first appearance, Soul Jazz's Rastafari compilation resurfaces once more. Famed for its recognition of the religion's influence on the emergence of dub and reggae in the early 1950s through to the 80s, this compilation proves Rastafari's influence and core ideas as inexorable from its sonic expression. Chief among reggae's pioneering players is Oswald Williams, aka. Count Ossie, whose influence is heard here is a

Reissued almost ten years on from its first appearance, Soul Jazz's Rastafari compilation resurfaces once more. Famed for its recognition of the religion's influence on the emergence of dub and reggae in the early 1950s through to the 80s, this compilation proves Rastafari's influence and core ideas as inexorable from its sonic expression. Chief among reggae's pioneering players is Oswald Williams, aka. Count Ossie, whose influence is heard here is a sort of orthopaedic sonic stem from which all offshoots follow. Ossie's many posthumous contributions to this compilation, largely with The Mystic Revelation of Rastafari, laid the foundations of reggae as we know it, and are charted from his various nyabinghi chants and drum workouts, and come peppered by those of his sono-spiritual antecedents - the likes of Mutabaruka, Rod Taylor and Bongo Herman.