Lithograph no. 64 Argentina 1956 Maserati 300S - Moss/Menditeguy
SKU: 12663711293

Lithograph no. 64 Argentina 1956 Maserati 300S - Moss/Menditeguy

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Lithograph no. 64 Argentina 1956 Maserati 300S - Moss/MenditeguyTo celebrate the first one hundred years of Maserati, a special artistic project by Enzo Naso was commissioned: 100 special edition lithographs, inspired by vintage posters, will retrace Maserati's sporting success over the last century. Lithograph number 64 is dedicated to the 1956 1000 Km race of Buenos Aires, won by the Maserati 300S driven by Stirling Moss and Carlos Menditeguy. 100 numbered copies of each individual print in the collection will

To celebrate the first one hundred years of Maserati, a special artistic project by Enzo Naso was commissioned: 100 special-edition lithographs, inspired by vintage posters, will retrace Maserati's sporting success over the last century. Lithograph number 64 is dedicated to the 1956 1000 Km race of Buenos Aires, won by the Maserati 300S driven by Stirling Moss and Carlos Menditeguy. 100 numbered copies of each individual print in the collection will be produced, each signed by the artist: exclusive prints, created using high quality materials and techniques, and certified with an embossed Maserati Centennial logo. Each limited-edition print comes in a special folder with an insert containing a brief description of the victory, an miniature image of the car, and the technical specifications of the model that starred in that particular competition.

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SKU: 12663711293

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How to take back what the thief has stolen
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I took a long time to read this book so I could soak in and apply the principles laid out from God's Word. We have all been stolen from in some way or another, whether it has been failed relationships, finances, health, or even what we feel is our calling or destiny. The good news is that we can stand on God's Word and take back what the thief has stolen. I am still applying what I have learned to have faith that God will restore the years that the locusts have eaten
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Atcho’s choice of texts is smart: each has survived many decades in print, fascinates modern readers, and probes profound and current themes. Most are well known. Each one is worth your while to read or reread. Fiction, in particular, makes the Black experience in our country accessible to others. Living inside the head of Bigger Thomas (Native Son) offers a more personal understanding than any essay can. The church has always been part of the story, and Atcho does justice to this by examining African-American literature in a theological light. He is sensitive to what each text is saying on a spiritual level, discerning the subtext and bringing it to light. Over and over, as I read his analyses, I had the experience of seeing more clearly what I had only vaguely intuited. The readings he discusses are not one-dimensional or didactic, and I found having a Virgil at my side was invaluable. This book is a gift to us all.
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I am so grateful to Claude Atcho for inextricably weaving together a spacious reformed theology with the heights and depths of great African American literature. Thanks to his gracious, nuanced, and substantive guidance, I can no longer separate the two. For example, I will no longer be able to read the Exodus account of liberation without imagining Zora Neale Hurston's "Moses, Man of the Mountain." Where the themes of great African American literature (and indeed, great theology) do not short-cut suffering, death, lament, and evil, Atcho manages to do this heavy lifting in a way that welcomes uninitiated readers like me. Our church read this book together, and I can't recommend enough that your church do the same!
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