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Women Artisans of Morocco: Their Stories, Their LivesMorocco: Ancient cities, adobe fortresses of centuries past, fertile plains of wheat and olives, carpets of wildflowers, endless deserts, wild mountains, and isolated rural villages. And of course, the fabled open air markets framed with stacks of woven rugs and other handicrafts, exotic scents wafting through the aisles, the hum of Arabic, Berber, French. Within this diverse land and confluence of cultures, many rich and ancient craft traditions
Morocco: Ancient cities, adobe fortresses of centuries past, fertile plains of wheat and olives, carpets of wildflowers, endless deserts, wild mountains, and isolated rural villages. And of course, the fabled open-air markets framed with stacks of woven rugs and other handicrafts, exotic scents wafting through the aisles, the hum of Arabic, Berber, French. Within this diverse land and confluence of cultures, many rich and ancient craft traditions carry on--women spin and weave, make buttons, embroider designs passed down through generations, and sew stunning native costumes. Women Artisans of Morocco tells the stories of twenty-five women who practice these textile traditions with an inspiring energy, pride, and fortitude. For the first time, we have a book that focuses on the artisans of Morocco themselves, those who produce these beautiful textiles that contribute substantially to their family's income while maintaining households and raising children.You will step into the lives of these Moroccan women artisans and gain an appreciation for their artistic skills and ingenuity but also for their strong roles in this supposedly male-dominated society, their fierce independence and determination as they work to improve their economic livelihoods. You will be welcomed into their homes in rural Berber villages, in bustling cities, and in a remarkable desert oasis. You will begin to learn truly what it is like to live as a woman in Morocco and to be part of a rapidly changing society. Most of the women presented here are rug weavers whose ancient skills and designs vary from region to region. You will also meet Fes embroidery artists, women who needle-weave buttons that have decorated native costumes for centuries, and a contemporary seamstress. Joe Coca's award-winning photography, guided by his curious and reverent sensibility, captures the beauty of the women, their work, and Morocco.
Binding Type: Paperback
Publisher: Thrums, LLC
Published: 04/15/2018
ISBN: 9780999051719
Pages: 168
Weight: 1.70lbs
Size: 9.90h x 9.90w x 0.60d
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4.6 ★★★★★
Based on 1934 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 27, 2017
★★★★★ 5
Five Stars
Format: Paperback
Great and thought-provoking!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 16, 2017
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 23, 2015
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers.
There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful.
Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed.
Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core.
Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism.
Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male.
In the essay "The Category of Sex" Wittig writes:
"The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences."
I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 4, 2013
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